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āϞ⧇āĻ–āĻžāϰ āφāĻšā§āĻŦāĻžāύ ⧍ā§Ļ⧍⧭

āϞ⧇āĻ–āĻžāϰ āφāĻšā§āĻŦāĻžāύ ⧍ā§Ļ⧍⧭

āĻāϞ āĻāĻĢ āĻŦ⧁āĻ•āϏ āχāĻ¨ā§āĻĄāĻŋāϝāĻŧāĻž | āϏāĻŽā§āĻĒāĻžāĻĻāϕ⧀āϝāĻŧ āĻĻāĻĒā§āϤāϰ (ISP)
āϏāĻžāϧāĻžāϰāĻŖ āύāĻŋāĻ°ā§āĻĻ⧇āĻļāĻŋāĻ•āĻž

āĻĢāĻžāχāϞ āĻĢāϰāĻŽā§āϝāĻžāϟ

āϞ⧇āĻ–āĻž āĻ…āĻŦāĻļā§āϝāχ āχāωāύāĻŋāϕ⧋āĻĄ āĻŦāĻžāĻ‚āϞāĻž āĻ“āϝāĻŧāĻžāĻ°ā§āĻĄ āĻĢāĻžāχāϞ⧇ (.doc/.docx) āĻĒāĻžāĻ āĻžāϤ⧇ āĻšāĻŦ⧇āĨ¤

āχāĻŽā§‡āϞ⧇āϰ Subject Line

Suspense Barshiki 2027 / Shiharon 2027 / Itihas Katha 2027 / Raw troimasik 2027 (āĻŦāĻŋāώāϝāĻŧ⧇āϰ āύāĻžāĻŽ āωāĻ˛ā§āϞ⧇āĻ– āĻ•āϰ⧁āύ) / Routebook Travel 2027

āχāĻŽā§‡āϞ āĻŦāĻĄāĻŋāϤ⧇ āφāĻŦāĻļā§āϝāĻŋāĻ• āϤāĻĨā§āϝ

  • āϞ⧇āĻ–āĻžāϰ āύāĻžāĻŽ
  • āϞ⧇āĻ–āĻžāϰ āĻŦāĻŋāĻ­āĻžāĻ— (āĻ—āĻ˛ā§āĻĒ/āωāĻĒāĻ¨ā§āϝāĻžāϏ/āĻĒā§āϰāĻŦāĻ¨ā§āϧ/āĻĢāĻŋāϚāĻžāϰ/āĻ…āύ⧁āĻŦāĻžāĻĻ/āύāĻžāϟāĻ• āχāĻ¤ā§āϝāĻžāĻĻāĻŋ)
  • āĻŦāĻŋāώāϝāĻŧāĻŦāĻ¸ā§āϤ⧁ āĻŦāĻž āϏāĻ‚āĻ•ā§āώāĻŋāĻĒā§āϤ āĻĒāϰāĻŋāϚāĻŋāϤāĻŋ (ā§Šâ€“ā§Ē āϞāĻžāχāύ⧇)
  • āφāύ⧁āĻŽāĻžāύāĻŋāĻ• āĻļāĻŦā§āĻĻāϏāĻ‚āĻ–ā§āϝāĻž
  • āϞ⧇āĻ–āϕ⧇āϰ āĻĒā§‚āĻ°ā§āĻŖ āύāĻžāĻŽ
  • āϏāĻ‚āĻ•ā§āώāĻŋāĻĒā§āϤ āϞ⧇āĻ–āĻ• āĻĒāϰāĻŋāϚāĻŋāϤāĻŋ (ā§Žā§Ļâ€“ā§§ā§Ģā§Ļ āĻļāĻŦā§āĻĻ)
  • āĻŦāĻ°ā§āϤāĻŽāĻžāύ āĻ āĻŋāĻ•āĻžāύāĻž āĻ“ āϝ⧋āĻ—āĻžāϝ⧋āĻ— āύāĻŽā§āĻŦāϰ (āϐāĻšā§āĻ›āĻŋāĻ•)
  • āϏāĻžāĻŽā§āĻĒā§āϰāϤāĻŋāĻ• āĻāĻ•āϟāĻŋ āϰāĻ™āĻŋāύ āĻ›āĻŦāĻŋ (āφāĻŦāĻļā§āϝāĻŋāĻ•)
āϏāĻžāϏāĻĒ⧇āĻ¨ā§āϏ āĻŦāĻžāĻ°ā§āώāĻŋāϕ⧀ ⧍ā§Ļ⧍⧭

āϏāĻŽā§āĻĒāĻžāĻĻāĻ•: āĻ…āύāĻŋāĻ¨ā§āĻĻā§āϝ āϭ⧁āĻ•ā§āϤ

āϰāĻšāĻ¸ā§āϝ, āϰ⧋āĻŽāĻžāĻžā§āϚ, āĻĨā§āϰāĻŋāϞāĻžāϰ, āĻ—ā§‹āϝāĻŧ⧇āĻ¨ā§āĻĻāĻž, āϏāĻžāχāĻŦāĻžāϰ āĻ•ā§āϰāĻžāχāĻŽ, āĻ•āĻ˛ā§āĻĒāĻŦāĻŋāĻœā§āĻžāĻžāύ, āĻļāĻŋāĻ•āĻžāϰ, āϐāϤāĻŋāĻšāĻžāϏāĻŋāĻ•, āĻĒ⧌āϰāĻžāĻŖāĻŋāĻ•, āϰāĻžāϜāύ⧈āϤāĻŋāĻ•, āĻ…ā§āϝāĻžāĻĄāϭ⧇āĻžā§āϚāĻžāϰ āĻ“ āϖ⧇āϞāĻžāĻ­āĻŋāĻ¤ā§āϤāĻŋāĻ• āϰāϚāύāĻž āφāĻšā§āĻŦāĻžāύ āĻ•āϰāĻž āĻšāĻšā§āϛ⧇āĨ¤ āϏāĻŦ āĻŦāϝāĻŧāϏ⧇āϰ āĻĒāĻžāĻ āϕ⧇āϰ āωāĻĒāϝ⧋āĻ—ā§€ āϰāϚāύāĻž āĻ…āĻ—ā§āϰāĻžāϧāĻŋāĻ•āĻžāϰ āĻĒāĻžāĻŦ⧇.

āĻļāĻŦā§āĻĻ āϏāĻ‚āĻ–ā§āϝāĻž: āĻĒā§āϰāĻŦāĻ¨ā§āϧ/āĻĢāĻŋāϚāĻžāϰ- ⧍ā§Ļā§Ļā§Ļ (āĻ•āĻŽāĻŦ⧇āĻļāĻŋ), āĻ—āĻ˛ā§āĻĒ- ā§Ģā§Ļā§Ļā§Ļ (āĻ•āĻŽāĻŦ⧇āĻļāĻŋ), āĻŦā§œā§‹āĻ—āĻ˛ā§āĻĒ/āύāϭ⧇āϞāĻž- ā§Žā§Ļā§Ļā§Ļ/ā§§ā§Ļā§Ļā§Ļā§Ļ(āĻ•āĻŽāĻŦ⧇āĻļāĻŋ)

āĻļ⧇āώ āϤāĻžāϰāĻŋāĻ–: ā§Šā§§ āϜāĻžāύ⧁āϝāĻŧāĻžāϰāĻŋ ⧍ā§Ļ⧍⧭
āĻļāĻŋāĻšāϰāύ ⧍ā§Ļ⧍⧭

āϏāĻŽā§āĻĒāĻžāĻĻāĻ•: āĻšāĻŋāĻŽāĻžāĻĻā§āϰāĻŋāĻ•āĻŋāĻļā§‹āϰ āĻĻāĻžāĻļāϗ⧁āĻĒā§āϤ

āϰāĻšāĻ¸ā§āϝ, āĻĨā§āϰāĻŋāϞāĻžāϰ, āĻ•ā§āϰāĻžāχāĻŽ, āĻ…ā§āϝāĻžāĻĄāϭ⧇āĻžā§āϚāĻžāϰ, āϏāĻžāχāϕ⧋āϞāϜāĻŋāĻ•ā§āϝāĻžāϞ āϏāĻžāϏāĻĒ⧇āĻ¨ā§āϏ, āĻ…āϞ⧌āĻ•āĻŋāĻ•, āĻ•āĻ˛ā§āĻĒāĻŦāĻŋāĻœā§āĻžāĻžāύ, āĻ…āύ⧁āĻŦāĻžāĻĻ, āĻĢāĻŋāϚāĻžāϰ āĻ“ āĻ—āĻŦ⧇āώāĻŖāĻžāĻŽā§‚āϞāĻ• āϰāϚāύāĻž āφāĻšā§āĻŦāĻžāύ āĻ•āϰāĻž āĻšāĻšā§āϛ⧇āĨ¤ āĻĒā§āϰāĻžāĻĒā§āϤāĻŽāύāĻ¸ā§āĻ• āĻĒāĻžāĻ āϕ⧇āϰ āωāĻĒāϝ⧋āĻ—ā§€ āϰāϚāύāĻž āĻ…āĻ—ā§āϰāĻžāϧāĻŋāĻ•āĻžāϰ āĻĒāĻžāĻŦ⧇.

āĻļāĻŦā§āĻĻ āϏāĻ‚āĻ–ā§āϝāĻž: āĻĒā§āϰāĻŦāĻ¨ā§āϧ/āĻĢāĻŋāϚāĻžāϰ- ⧍ā§Ļā§Ļā§Ļ (āĻ•āĻŽāĻŦ⧇āĻļāĻŋ), āĻ—āĻ˛ā§āĻĒ- ā§Ģā§Ļā§Ļā§Ļ (āĻ•āĻŽāĻŦ⧇āĻļāĻŋ), āĻŦā§œā§‹āĻ—āĻ˛ā§āĻĒ/āύāϭ⧇āϞāĻž- ā§Žā§Ļā§Ļā§Ļ/ā§§ā§Ļā§Ļā§Ļā§Ļ(āĻ•āĻŽāĻŦ⧇āĻļāĻŋ)

āĻļ⧇āώ āϤāĻžāϰāĻŋāĻ–: ā§Šā§§ āϜāĻžāύ⧁āϝāĻŧāĻžāϰāĻŋ ⧍ā§Ļ⧍⧭
āχāϤāĻŋāĻšāĻžāϏ āĻ•āĻĨāĻž ⧍ā§Ļ⧍⧭

āϏāĻŽā§āĻĒāĻžāĻĻāĻ•: āĻ¸ā§āĻŦāĻĒāύ āĻŦāĻ¨ā§āĻĻā§āϝ⧋āĻĒāĻžāĻ§ā§āϝāĻžā§Ÿ

āϐāϤāĻŋāĻšāĻžāϏāĻŋāĻ• āĻ—āĻ˛ā§āĻĒ, āωāĻĒāĻ¨ā§āϝāĻžāϏ, āĻ…āύ⧁āĻŦāĻžāĻĻ, āĻĒā§āϰāĻŦāĻ¨ā§āϧ, āĻ—āĻŦ⧇āώāĻŖāĻž, āϏāĻŽāĻžāϞ⧋āϚāύāĻž, āύāĻžāϟāĻ•, āϏāĻžāĻ•ā§āώāĻžā§ŽāĻ•āĻžāϰ, āχāϤāĻŋāĻšāĻžāϏāĻ­āĻŋāĻ¤ā§āϤāĻŋāĻ• āĻ•āĻ˛ā§āĻĒāĻŦāĻŋāĻœā§āĻžāĻžāύ, āĻ…āĻ­āĻŋāϝāĻžāύ, āϞ⧋āĻ•āχāϤāĻŋāĻšāĻžāϏ, āĻĒ⧁āϰāĻžāĻŖ, āĻļāĻŋāĻ˛ā§āĻĒ, āĻŦāĻŋāĻœā§āĻžāĻžāύ, āϰāĻžāϜāύ⧀āϤāĻŋ, āϝ⧁āĻĻā§āϧ, āĻ­ā§āϰāĻŽāĻŖ āĻ“ āϏāĻ­ā§āϝāϤāĻž-āĻ…āύ⧁āϏāĻ¨ā§āϧāĻžāύāĻŽā§‚āϞāĻ• āϰāϚāύāĻž āφāĻšā§āĻŦāĻžāύ āĻ•āϰāĻž āĻšāĻšā§āϛ⧇āĨ¤ āĻĒāĻžāϰāĻŋāĻŦāĻžāϰāĻŋāĻ• āĻĒāĻžāĻ āϝ⧋āĻ—ā§āϝāϤāĻž āĻŦāϜāĻžāϝāĻŧ āϰāĻžāĻ–āĻž āϰāϚāύāĻž āĻ…āĻ—ā§āϰāĻžāϧāĻŋāĻ•āĻžāϰ āĻĒāĻžāĻŦ⧇.

āĻļāĻŦā§āĻĻ āϏāĻ‚āĻ–ā§āϝāĻž: āĻĒā§āϰāĻŦāĻ¨ā§āϧ/āĻĢāĻŋāϚāĻžāϰ- ⧍ā§Ļā§Ļā§Ļ (āĻ•āĻŽāĻŦ⧇āĻļāĻŋ), āĻ—āĻ˛ā§āĻĒ- ā§Ģā§Ļā§Ļā§Ļ (āĻ•āĻŽāĻŦ⧇āĻļāĻŋ), āĻŦā§œā§‹āĻ—āĻ˛ā§āĻĒ/āύāϭ⧇āϞāĻž- ā§Žā§Ļā§Ļā§Ļ/ā§§ā§Ļā§Ļā§Ļā§Ļ(āĻ•āĻŽāĻŦ⧇āĻļāĻŋ)

āĻļ⧇āώ āϤāĻžāϰāĻŋāĻ–: ā§Šā§§ āϜāĻžāύ⧁āϝāĻŧāĻžāϰāĻŋ ⧍ā§Ļ⧍⧭
‘āĻ°â€™ āĻ¤ā§āϰ⧈āĻŽāĻžāϏāĻŋāĻ• ⧍ā§Ļ⧍⧭

āϏāĻŽā§āĻĒāĻžāĻĻāĻ•: āĻ…āϰ⧁āĻŖāĻžāĻ­ āĻŦāĻŋāĻļā§āĻŦāĻžāϏ

āϏāĻ‚āĻ–ā§āϝāĻžāĻŦāĻŋāώāϝāĻŧāĻļ⧇āώ āϤāĻžāϰāĻŋāĻ–
āϜāĻžāύ⧁āϝāĻŧāĻžāϰāĻŋ–āĻŽāĻžāĻ°ā§āϚ ⧍ā§Ļ⧍⧭āϝ⧁āĻĻā§āĻ§ā§Šā§§ āĻ…āĻ•ā§āĻŸā§‹āĻŦāϰ ⧍ā§Ļ⧍ā§Ŧ
āĻāĻĒā§āϰāĻŋāĻ˛â€“āϜ⧁āύ ⧍ā§Ļ⧍⧭āĻŦāĻŋāĻĻ⧇āĻļāĻŋ āϏāĻžāĻšāĻŋāĻ¤ā§āĻ¯ā§Šā§§ āϜāĻžāύ⧁āϝāĻŧāĻžāϰāĻŋ ⧍ā§Ļ⧍⧭
āϜ⧁āϞāĻžāĻ‡â€“āϏ⧇āĻĒā§āĻŸā§‡āĻŽā§āĻŦāϰ ⧍ā§Ļ⧍⧭āĻ­āϝāĻŧā§Šā§Ļ āĻāĻĒā§āϰāĻŋāϞ ⧍ā§Ļ⧍⧭
āĻ…āĻ•ā§āĻŸā§‹āĻŦāĻ°â€“āĻĄāĻŋāϏ⧇āĻŽā§āĻŦāϰ ⧍ā§Ļ⧍⧭āĻĒā§āϰ⧇āĻŽā§Šā§Ļ āϜ⧁āύ ⧍ā§Ļ⧍⧭

āĻ—ā§āϰāĻšāĻŖāϝ⧋āĻ—ā§āϝ āĻŦāĻŋāĻ­āĻžāĻ—: āĻ•āĻžāĻšāĻŋāύāĻŋ â€ĸ āĻ…āύ⧁āĻŦāĻžāĻĻ â€ĸ āύāĻžāϟāĻ• â€ĸ āϏāĻžāĻ•ā§āώāĻžā§ŽāĻ•āĻžāϰ â€ĸ āĻĢāĻŋāϚāĻžāϰ â€ĸ āĻĒā§āϰāĻŦāĻ¨ā§āϧ

āĻļāĻŦā§āĻĻāϏ⧀āĻŽāĻž:
āĻĒā§āϰāĻŦāĻ¨ā§āϧ āĻ“ āĻĢāĻŋāϚāĻžāϰ : ā§§ā§Ģā§Ļā§Ļâ€“ā§¨ā§Ļā§Ļā§Ļ āĻļāĻŦā§āĻĻ
āĻ•āĻžāĻšāĻŋāύāĻŋ, āĻ…āύ⧁āĻŦāĻžāĻĻ, āύāĻžāϟāĻ• āĻ“ āĻ…āĻ¨ā§āϝāĻžāĻ¨ā§āϝ āϰāϚāύāĻž : ā§§ā§Ģā§Ļā§Ļâ€“ā§­ā§Ļā§Ļā§Ļ āĻļāĻŦā§āĻĻ

āϰ⧁āϟāĻŦ⧁āĻ• āĻŸā§āĻ°ā§āϝāĻžāϭ⧇āϞ ⧍ā§Ļ⧍⧭

āϏāĻŽā§āĻĒāĻžāĻĻāĻ•: āĻšā§‹āĻŽāĻžāĻ—ā§āύāĻŋ āĻ˜ā§‹āώ

āĻŦāĻ›āϰ⧇ āĻĻ⧁āϟāĻŋ āϏāĻ‚āĻ–ā§āϝāĻž āĻĒā§āϰāĻ•āĻžāĻļāĻŋāϤ āĻšāĻŦ⧇āĨ¤

āϜāĻžāύ⧁āϝāĻŧāĻžāϰāĻŋ ⧍ā§Ļ⧍⧭ āϏāĻ‚āĻ–ā§āϝāĻž: ā§Šā§§ āĻ…āĻ•ā§āĻŸā§‹āĻŦāϰ ⧍ā§Ļ⧍ā§Ŧ

āϜ⧁āϞāĻžāχ ⧍ā§Ļ⧍⧭ āϏāĻ‚āĻ–ā§āϝāĻž: ā§Šā§§ āĻŽāĻžāĻ°ā§āϚ ⧍ā§Ļ⧍⧭

āĻ­ā§āϰāĻŽāĻŖ, āĻĒāϰāĻŋāĻŦ⧇āĻļ, āĻœā§€āĻŦāĻŦ⧈āϚāĻŋāĻ¤ā§āĻ°ā§āϝ, āĻŦāĻ¨ā§āϝāĻĒā§āϰāĻžāĻŖ, āĻŦāĻŋāĻœā§āĻžāĻžāύāĻŽāύāĻ¸ā§āĻ• āĻ­ā§āϰāĻŽāĻŖ, āϐāϤāĻŋāĻšā§āϝ, āϏāĻ‚āĻ¸ā§āĻ•ā§ƒāϤāĻŋ, āĻ…āĻ­āĻŋāϝāĻžāĻ¤ā§āϰāĻž āĻ“ āϤāĻĨā§āϝāϏāĻŽā§ƒāĻĻā§āϧ āĻ­ā§āϰāĻŽāĻŖāĻ•āĻžāĻšāĻŋāύāĻŋ āφāĻšā§āĻŦāĻžāύ āĻ•āϰāĻž āĻšāĻšā§āϛ⧇āĨ¤

āĻļāĻŦā§āĻĻāϏ⧀āĻŽāĻž: ā§§ā§Ļā§Ļā§Ļ–ā§Ģā§Ļā§Ļā§Ļ āĻļāĻŦā§āĻĻ

āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āĻļāĻ°ā§āϤāĻžāĻŦāϞ⧀ āĻ“ āχāĻŽā§‡āϞ
  • āϞ⧇āĻ–āĻž āĻ…āĻŦāĻļā§āϝāχ āĻŽā§ŒāϞāĻŋāĻ•, āĻ…āĻĒā§āϰāĻ•āĻžāĻļāĻŋāϤ āĻ“ āϞ⧇āĻ–āϕ⧇āϰ āύāĻŋāϜāĻ¸ā§āĻŦ āĻšāϤ⧇ āĻšāĻŦ⧇āĨ¤
  • āχāωāύāĻŋāϕ⧋āĻĄ āĻŦāĻžāĻ‚āϞāĻž āĻ“āϝāĻŧāĻžāĻ°ā§āĻĄ āĻĢāĻžāχāϞ⧇ (.doc/.docx) āĻĒāĻžāĻ āĻžāϤ⧇ āĻšāĻŦ⧇āĨ¤
  • āĻšāĻžāϤ⧇āϰ āϞ⧇āĻ–āĻž, āĻ¸ā§āĻ•ā§āϝāĻžāύ, āĻĒāĻŋāĻĄāĻŋāĻāĻĢ āĻŦāĻž āĻ›āĻŦāĻŋāϰ āĻĢāĻžāχāϞ āĻ—ā§āϰāĻšāĻŖāϝ⧋āĻ—ā§āϝ āύāϝāĻŧāĨ¤
  • āĻ…āύ⧁āĻŦāĻžāĻĻ⧇āϰ āĻ•ā§āώ⧇āĻ¤ā§āϰ⧇ āĻŽā§‚āϞ āϞ⧇āĻ–āϕ⧇āϰ āĻŽā§ƒāĻ¤ā§āϝ⧁āϏāĻžāϞ ⧧⧝⧭ā§Ģ āϏāĻžāϞ⧇āϰ āĻĒā§‚āĻ°ā§āĻŦāĻŦāĻ°ā§āϤ⧀ āĻšāĻ“āϝāĻŧāĻž āĻŦāĻžāĻžā§āĻ›āύ⧀āϝāĻŧ āĻ…āĻĨāĻŦāĻž āĻĒā§āϰāϝāĻŧā§‹āϜāύ⧀āϝāĻŧ āĻ¸ā§āĻŦāĻ¤ā§āĻŦāĻžāύ⧁āĻŽāϤāĻŋ āĻĨāĻžāĻ•āϤ⧇ āĻšāĻŦ⧇āĨ¤
  • āύāĻŋāĻ°ā§āĻŦāĻžāϚāύ⧀ āĻĒā§āϰāĻ•ā§āϰāĻŋāϝāĻŧāĻžāϝāĻŧ āĻ•āϝāĻŧ⧇āĻ• āĻŽāĻžāϏ āϏāĻŽāϝāĻŧ āϞāĻžāĻ—āϤ⧇ āĻĒāĻžāϰ⧇āĨ¤
  • āĻŽāύ⧋āύ⧀āϤ āϞ⧇āĻ–āĻž āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇ āχāĻŽā§‡āϞ⧇āϰ āĻŽāĻžāĻ§ā§āϝāĻŽā§‡ āϜāĻžāύāĻžāύ⧋ āĻšāĻŦ⧇āĨ¤
  • āϏāĻŽā§āĻĒāĻžāĻĻāĻ•āĻŽāĻŖā§āĻĄāϞ⧀āϰ āϏāĻŋāĻĻā§āϧāĻžāĻ¨ā§āϤāχ āĻšā§‚āĻĄāĻŧāĻžāĻ¨ā§āϤāĨ¤

āϞ⧇āĻ–āĻžāϰ āĻŽāĻžāύāχ āφāĻŽāĻžāĻĻ⧇āϰ āĻāĻ•āĻŽāĻžāĻ¤ā§āϰ āĻŦāĻŋāĻŦ⧇āĻšā§āϝāĨ¤

ā§§. lfbookseditorial@gmail.com | āϏāĻŦ āĻĒāĻ¤ā§āϰāĻŋāĻ•āĻžāϰ āϜāĻ¨ā§āϝ (āϏāĻžāϏāĻĒ⧇āĻ¨ā§āϏ āĻŦāĻžāĻ°ā§āώāĻŋāϕ⧀ ⧍ā§Ļ⧍⧭ â€ĸ āĻļāĻŋāĻšāϰāύ ⧍ā§Ļ⧍⧭ â€ĸ āχāϤāĻŋāĻšāĻžāϏ āĻ•āĻĨāĻž ⧍ā§Ļ⧍⧭ â€ĸ āϰ⧁āϟāĻŦ⧁āĻ• āĻŸā§āĻ°ā§āϝāĻžāϭ⧇āϞ ⧍ā§Ļ⧍⧭)

⧍. rawtroimasik@lfbooksindia.com | āĻļ⧁āϧ⧁āĻŽāĻžāĻ¤ā§āϰ āϰ āĻ¤ā§āϰ⧈āĻŽāĻžāϏāĻŋāϕ⧇āϰ āϜāĻ¨ā§āϝ

āĻāϞ āĻāĻĢ āĻŦ⧁āĻ•āϏ āχāĻ¨ā§āĻĄāĻŋāϝāĻŧāĻž | āϏāĻŽā§āĻĒāĻžāĻĻāϕ⧀āϝāĻŧ āĻĻāĻĒā§āϤāϰ (ISP)

❌ NOT ACCEPTED

āĻŦā§€āĻ­ā§ŽāϏ āĻĢā§āϝāĻžāĻ¨ā§āϟāĻžāϏāĻŋ â€ĸ āĻŦā§€āĻ­ā§ŽāϏ āϭ⧌āϤāĻŋāĻ• â€ĸ āϤāĻ¨ā§āĻ¤ā§āϰāĻŽāĻ¨ā§āĻ¤ā§āϰ â€ĸ āϛ⧇āϞ⧇āĻŽāĻžāύ⧁āώāĻŋ āϞ⧇āĻ–āĻž â€ĸ āĻŦāĻžāĻŖāĻŋāĻœā§āϝāĻŋāĻ• āϚāϞāĻšā§āϚāĻŋāĻ¤ā§āϰ⧇āϰ āĻ…ā§āϝāĻžāĻĄāĻžāĻĒā§āĻŸā§‡āĻļāύ

āĻœā§āĻžāĻžāϤāĻŦā§āϝ: āϏāĻžāϏāĻĒ⧇āĻ¨ā§āϏ āĻŦāĻžāĻ°ā§āώāĻŋāϕ⧀, āĻļāĻŋāĻšāϰāύ, āχāϤāĻŋāĻšāĻžāϏ āĻ•āĻĨāĻž, āϰ⧁āϟāĻŦ⧁āĻ• āĻŸā§āĻ°ā§āϝāĻžāϭ⧇āϞ āĻ“ ‘āĻ°â€™ āĻ¤ā§āϰ⧈āĻŽāĻžāϏāĻŋāĻ•-āĻ āĻĒā§āϰāĻ•āĻžāĻļāĻŋāϤ āύāĻŋāĻ°ā§āĻŦāĻžāϚāĻŋāϤ āϞ⧇āĻ–āĻž āĻĒāĻ°ā§āϝāĻžāϝāĻŧāĻ•ā§āϰāĻŽā§‡ Rahasya-Romancho Digital āĻāĻŦāĻ‚ SignalOneZeroOne Digital-āĻāĻ“ āĻĒā§āϰāĻ•āĻžāĻļāĻŋāϤ āĻšāϤ⧇ āĻĒāĻžāϰ⧇āĨ¤

Special Announcement

LF Books India announces that from 1st August 2025, every submitted manuscript (Suspense Barshiki, Shihoron or other projects) must include on the last page:

  1. Author’s phone number
  2. Full address (in English)
  3. Short author bio with photo (including date of birth & profession)

Manuscripts without these details will not be reviewed and will be cancelled before nomination.

Official Announcement- Writing Invitation 2026

#āϞ⧇āĻ–āĻžāϰ_āφāĻŽāĻ¨ā§āĻ¤ā§āϰāĻŖ_⧍ā§Ļ⧍ā§Ŧ | #āĻāϞ_āĻāĻĢ_āĻŦ⧁āĻ•āϏ_āχāĻ¨ā§āĻĄāĻŋāϝāĻŧāĻž


🚀 New Publishing Opportunities!

We invite submissions for:

  1. āϏāĻžāϏāĻĒ⧇āĻ¨ā§āϏ āĻŦāĻžāĻ°ā§āώāĻŋāϕ⧀ ā§Ŧ (Suspense Barshiki 6)
  2. āĻļāĻŋāĻšāϰāύ āĻŦāĻ°ā§āώ āϏāĻ‚āĻ–ā§āϝāĻž ā§Ģ (Shihoron Borsho Shongkha 5)
  3. āϰāĻšāĻ¸ā§āϝ-āϰ⧋āĻŽāĻžāĻžā§āϚ āĻĄāĻŋāϜāĻŋāϟāĻžāϞ (Rahasya-Romancho Digital)

🔗 Full Guidelines:
👉 Publish with Us – LF Books India
(Coming Soon: Digital Platform launch at **rahasyaromancho.com)*


📅 Submission Deadlines

CategoryDeadline
General Submissionsā§Šā§§ āĻĄāĻŋāϏ⧇āĻŽā§āĻŦāϰ, ⧍ā§Ļ⧍ā§Ģ
Cyber Crime Storiesā§Šā§Ļ āϏ⧇āĻĒā§āĻŸā§‡āĻŽā§āĻŦāϰ, ⧍ā§Ļ⧍ā§Ģ

âœ‰ī¸ Submission Process

  1. Email: lfbookseditorial@gmail.com
  2. Subject Line: Choose one:
    • “Suspense Barshiki 2026”
    • “Shiharon 2026”
    • “Rahasya-Romancho Digital”
    • “Cyber Crime”
  3. Email Body Must Include:
    • āϞ⧇āĻ–āĻžāϰ āύāĻžāĻŽ (Title)
    • āĻŦāĻŋāώāϝāĻŧāĻŦāĻ¸ā§āϤ⧁ (Synopsis: 100 words)
    • āφāύ⧁āĻŽāĻžāύāĻŋāĻ• āĻļāĻŦā§āĻĻāϏāĻ‚āĻ–ā§āϝāĻž (Word Count)
    • āϞ⧇āĻ–āĻ• āĻĒāϰāĻŋāϚāĻŋāϤāĻŋ + āϏāĻžāĻŽā§āĻĒā§āϰāϤāĻŋāĻ• āĻ›āĻŦāĻŋ (Bio & Recent Photo)

âœī¸ Writing Guidelines

Accepted Genres:

  • āϰāĻšāĻ¸ā§āϝ-āϰ⧋āĻŽāĻžāĻžā§āϚ, āĻĨā§āϰāĻŋāϞāĻžāϰ, āĻ—ā§‹āϝāĻŧ⧇āĻ¨ā§āĻĻāĻž, āϏāĻžāχāĻŦāĻžāϰ āĻ•ā§āϰāĻžāχāĻŽ
  • āĻ•āĻ˛ā§āĻĒāĻŦāĻŋāĻœā§āĻžāĻžāύ, āϐāϤāĻŋāĻšāĻžāϏāĻŋāĻ•, āĻĒ⧌āϰāĻžāĻŖāĻŋāĻ•, āϰāĻžāϜāύ⧈āϤāĻŋāĻ• āϰāĻšāĻ¸ā§āϝ
  • āĻ…ā§āϝāĻžāĻĄāϭ⧇āĻžā§āϚāĻžāϰ/āϖ⧇āϞāĻžāϧ⧁āϞāĻž-āĻ­āĻŋāĻ¤ā§āϤāĻŋāĻ• āĻ•āĻžāĻšāĻŋāύāĻŋ
  • ✅ Special Priority: āϏāĻžāχāĻŦāĻžāϰ āĻ•ā§āϰāĻžāχāĻŽ (āĻŦāĻžāĻ¸ā§āϤāĻŦ āϘāϟāύāĻž-āĻ­āĻŋāĻ¤ā§āϤāĻŋāĻ•)

Not Accepted:

  • āĻĢā§āϝāĻžāĻ¨ā§āϟāĻžāϏāĻŋ, āϭ⧌āϤāĻŋāĻ•, āϤāĻ¨ā§āĻ¤ā§āϰāĻŽāĻ¨ā§āĻ¤ā§āϰ
  • āϛ⧇āϞ⧇āĻŽāĻžāύ⧁āώāĻŋ āϞ⧇āĻ–āĻž /āĻŦāĻžāĻŖāĻŋāĻœā§āϝāĻŋāĻ• āĻĢāĻŋāĻ˛ā§āĻŽā§‡āϰ āĻ…ā§āϝāĻžāĻĄāĻžāĻĒā§āĻŸā§‡āĻļāύ

Target Readers:

PublicationAudience
āĻļāĻŋāĻšāϰāύāĻĒā§āϰāĻžāĻĒā§āϤāĻŽāύāĻ¸ā§āĻ• (Mature)
āϏāĻžāϏāĻĒ⧇āĻ¨ā§āϏ āĻŦāĻžāĻ°ā§āώāĻŋāϕ⧀āĻĒāĻžāϰāĻŋāĻŦāĻžāϰāĻŋāĻ•
āϰāĻšāĻ¸ā§āϝ-āϰ⧋āĻŽāĻžāĻžā§āϚ āĻĄāĻŋāϜāĻŋāϟāĻžāϞāĻ•āĻŋāĻļā§‹āϰ-āĻĒā§āϰāĻžāĻĒā§āϤāĻŦāϝāĻŧāĻ¸ā§āĻ•

Word Limits:

TypeLimit
āĻ—āĻ˛ā§āĻĒ~ā§Ģā§Ļā§Ļā§Ļ āĻļāĻŦā§āĻĻ
āύāϭ⧇āϞāĻž~ā§§ā§Ļā§Ļā§Ļā§Ļ āĻļāĻŦā§āĻĻ
āωāĻĒāĻ¨ā§āϝāĻžāϏ~⧍ā§Ģā§Ļā§Ļā§Ļ āĻļāĻŦā§āĻĻ
āĻ…āύ⧁āĻŦāĻžāĻĻ~ā§§ā§Ģā§Ļā§Ļā§Ļ āĻļāĻŦā§āĻĻ (*āĻŽā§‚āϞ āϞ⧇āĻ–āĻ•: pre-1975*)
āύāĻŋāĻŦāĻ¨ā§āϧ~⧍ā§Ļā§Ļā§Ļ āĻļāĻŦā§āĻĻ
āϏāĻžāχāĻŦāĻžāϰ āĻ•ā§āϰāĻžāχāĻŽ~ā§Ēā§Ļā§Ļā§Ļâ€“ā§¯ā§Ļā§Ļā§Ļ āĻļāĻŦā§āĻĻ

âš ī¸ Terms & Conditions


📅 Publication Schedule

  • āϏāĻžāϏāĻĒ⧇āĻ¨ā§āϏ āĻŦāĻžāĻ°ā§āώāĻŋāϕ⧀/āĻļāĻŋāĻšāϰāύ: āϜ⧁āϞāĻžāĻ‡â€“āĻ…āĻ—āĻžāĻ¸ā§āϟ ⧍ā§Ļ⧍ā§Ŧ
  • āϰāĻšāĻ¸ā§āϝ-āϰ⧋āĻŽāĻžāĻžā§āϚ āĻĄāĻŋāϜāĻŋāϟāĻžāϞ: āϏāĻžāĻĒā§āϤāĻžāĻšāĻŋāĻ• āϞ⧇āĻ–āĻž + āĻĒāĻĄāĻ•āĻžāĻ¸ā§āϟ

đŸ“Ŗ Final Note

“āϞ⧇āĻ–āĻžāϰ āĻŽāĻžāύāχ āφāĻŽāĻžāĻĻ⧇āϰ āĻāĻ•āĻŽāĻžāĻ¤ā§āϰ āĻŦāĻŋāĻŦ⧇āĻšā§āϝ”
🙏 āϧ⧈āĻ°ā§āϝ āϧāϰ⧇ āĻ…āĻĒ⧇āĻ•ā§āώāĻž āĻ•āϰ⧁āύāĨ¤ āĻĒā§āϰāϝāĻŧā§‹āϜāύ⧇ āχāĻŽā§‡āϞ āĻ•āϰ⧁āύ: lfbookseditorial@gmail.com

āĻāϞ_āĻāĻĢ_āĻŦ⧁āĻ•āϏ_āχāĻ¨ā§āĻĄāĻŋāϝāĻŧāĻž | āϏāĻŽā§āĻĒāĻžāĻĻāϕ⧀āϝāĻŧ āĻĻāĻĒā§āϤāϰ (ISP)
*Advt Published: Sangbad Pratidin | 22/06/2025*

Invitation for Book Proposals and Manuscripts

LF Books India invites authors to submit their book proposals and manuscripts for the upcoming Kolkata Book Fair 2026. Submissions are welcome in Bengali or English from both new and established writers.

Submission Timeline

Book Proposal Deadline: March 31, 2025

Manuscript Submission Deadline (Final): July 31, 2025

Final Selection Notification: September 30, 2025

Submission Guidelines

1. Originality:

Submissions must be original and unpublished.

Previously published works are acceptable only if published in print magazines.

No adaptations, reworks of popular movies, or translations of foreign stories are permitted.

2. Proposal Requirements:

Submit a book proposal first, including the theme and a summary of the book.

Proposals must be sent via email in Word format (Unicode for Bengali).

Include a PDF version along with the Word file.

Handwritten, scanned, or photographed manuscripts will not be accepted.

3. Response to Proposals:

If you do not receive a response within 7 days, consider the proposal rejected.

Only selected proposals will proceed to the manuscript submission stage.

4. Manuscript Submission (for Selected Proposals):

Full manuscripts must be submitted by July 31, 2025.

Submit both Word (Unicode for Bengali) and PDF versions.

Word Count Guidelines

Fiction: Minimum 27,000 words

Non-Fiction: Minimum 35,000 words

No upper word limit.

For Translations:

The original author must have passed away before 1975.

The original author’s name and the title of the original work must be mentioned.

Accepted Genres

Fiction:

Children’s Mystery & Adventure

Detective Stories

Thrillers

Supernatural

Science Fiction

Historical Fiction

Mythological Fiction

Sports Fiction

Romance

Short Story Collections

Humor

Adult Fiction

Other original or translated fiction

Non-Fiction:

History

Politics

Biographies

Travel

Research

Health & Wellness

Environment

Sports

Cinema

Theatre

Cooking

Science

Fashion & Heritage

Other original or translated non-fiction

Email Submission Guidelines

Subject Line: Book Proposal – (Fiction/Non-Fiction)

Email Body Must Include:

Book Title:

Genre:

Estimated Word Count:

Author’s Bio: (Include Date of Birth, Place of Birth, Education, Profession, Interests, Published Works, Writing Interests)

Recent Author Photo (Attachment)

Email your submission to: lfbookseditorial@gmail.com

Selection Process and Terms

No phone requests, personal recommendations, lobbying, or financial offers will influence selection.

Only the quality of writing will determine selection, as decided by our Editorial Board (ISP).

Both new and experienced writers are welcome; no preference will be given based on previous publications.

Finalized books will receive a formal contract, including royalty terms and complimentary copies.

Self-financed or vanity publications will not be considered.

Important Dates to Remember:

Proposal Deadline: March 31, 2025

Manuscript Deadline (Selected Proposals): July 31, 2025

Selection Notification: September 30, 2025

We look forward to your creative submissions and wish you the best of luck!

LF Books India

Editorial Team (ISP)

Advt. Date: February 15, 2025

Invited Writing 2025

✍đŸŧ#āϞ⧇āĻ–āĻžāϰ_āφāĻŽāĻ¨ā§āĻ¤ā§āϰāĻŖ_⧍ā§Ļ⧍ā§Ģ

👇#āĻāϞ_āĻāĻĢ_āĻŦ⧁āĻ•āϏ

🙏đŸģāϏāĻ•āϞ āϏāĻŽā§āĻŽāĻžāύ⧀āϝāĻŧ āϞ⧇āĻ–āĻ•-āϞ⧇āĻ–āĻŋāĻ•āĻžāϰ āĻ•āĻžāϛ⧇ āϏāĻžāϏāĻĒ⧇āĻ¨ā§āϏ_āĻŦāĻžāĻ°ā§āώāĻŋāϕ⧀_ā§Ģ,  āĻļāĻŋāĻšāϰāύ_āĻŦāĻžāĻ°ā§āώāĻŋāĻ•_āϏāĻ‚āĻ–ā§āϝāĻž_ā§Ē āĻāĻŦāĻ‚ āϰāĻšāĻ¸ā§āϝ_āϰ⧋āĻŽāĻžāĻžā§āϚ āĻĄāĻŋāϜāĻŋāϟāĻžāϞ-āĻāϰ āϜāĻ¨ā§āϝ āϞ⧇āĻ–āĻžāϰ āφāĻŽāĻ¨ā§āĻ¤ā§āϰāĻŖ āϜāĻžāύāĻžāύ⧋ āĻšāĻšā§āϛ⧇āĨ¤ āĻŦāĻŋāĻļāĻĻ⧇ āύāĻŋāϝāĻŧāĻŽāĻ•āĻžāύ⧁āύ āĻĒāĻžāĻŦ⧇āύ #āĻāϞ_āĻāĻĢ_āĻŦ⧁āĻ•āϏ_āχāĻ¨ā§āĻĄāĻŋāϝāĻŧāĻžāϰ āĻ“āϝāĻŧ⧇āĻŦāϏāĻžāχāĻŸā§‡ Publish with Us āϏ⧇āĻ•āĻļāύ⧇āĨ¤ https://lfbooksindia.com/publish-with-us/💡

đŸŽ™ī¸āĻāĻ–āύ āĻĨ⧇āϕ⧇ āĻĒā§āϰāϤāĻŋ āĻŦāĻ›āϰ ‘āĻļāĻŋāĻšāϰāύ’ āϜ⧁āϞāĻžāχ āĻŽāĻžāϏ⧇ āφāϰ ‘āϏāĻžāϏāĻĒ⧇āĻ¨ā§āϏ āĻŦāĻžāĻ°ā§āώāĻŋāϕ⧀’ āĻ…āĻ—āĻžāĻ¸ā§āϟ āĻŽāĻžāϏ⧇ āĻĒā§āϰāĻ•āĻžāĻļāĻŋāϤ āĻšāĻŦ⧇āĨ¤ ‘āϰāĻšāĻ¸ā§āϝ-āϰ⧋āĻŽāĻžāĻžā§āϚ’ āĻĄāĻŋāϜāĻŋāϟāĻžāϞ āĻĒā§āĻ˛ā§āϝāĻžāϟāĻĢāĻ°ā§āĻŽā§‡ āĻĒā§āϰāϤāĻŋ āϏāĻĒā§āϤāĻžāĻšā§‡ āύāϤ⧁āύ āύāϤ⧁āύ āϞ⧇āĻ–āĻž āφāϏāĻŦ⧇ (āϏāĻ™ā§āϗ⧇ āĻĒāĻĄāĻ•āĻžāĻ¸ā§āϟ)āĨ¤ 

āĻāĻ• āĻ…āĻ¨ā§āϝ āϜāĻ—āϤ⧇ āύāĻŋāϝāĻŧ⧇ āϝāĻžāĻŦ āφāĻŽāϰāĻž āφāĻ—āĻžāĻŽā§€ ā§§ āϜ⧁āύ āĻĨ⧇āϕ⧇āĨ¤ āĻšā§‹āĻ– āϰāĻžāϖ⧁āύ āϰāĻšāĻ¸ā§āϝ-āϰ⧋āĻŽāĻžāĻžā§āϚ āĻĄāĻŋāϜāĻŋāϟāĻžāϞ⧇ #rahasyaromancho.com

🤝#āϞ⧇āĻ–āĻž_āĻĒāĻžāĻ āĻžāύ⧋āϰ_āύāĻŋāϝāĻŧāĻŽ

🔎āĻĒā§āϰāĻĨāĻŽāϤ, ‘āϏāĻžāϏāĻĒ⧇āĻ¨ā§āϏ āĻŦāĻžāĻ°ā§āώāĻŋāϕ⧀’, ‘āĻļāĻŋāĻšāϰāύ’ āφāϰ ‘āϰāĻšāĻ¸ā§āϝ-āϰ⧋āĻŽāĻžāĻžā§āϚ’ āĻĄāĻŋāϜāĻŋāϟāĻžāϞ⧇āϰ āϚāϰāĻŋāĻ¤ā§āϰ āĻŦ⧁āĻā§‡ āϞ⧇āĻ–āĻž āĻĒāĻžāĻ āĻžāĻŦ⧇āύāĨ¤ āϞ⧇āĻ–āĻž āĻŽāύ⧋āύ⧀āϤ āĻšāϝāĻŧ⧇āĻ“ āϏāĻ°ā§āĻŦāĻžāϧāĻŋāĻ• āĻāĻ• āĻĨ⧇āϕ⧇ āĻĻ⧁’āĻŦāĻ›āϰ āĻĒā§āϰāĻ•āĻžāĻļ⧇āϰ āĻ…āĻĒ⧇āĻ•ā§āώāĻžāϝāĻŧ āĻĨāĻžāĻ•āϤ⧇ āĻšāϤ⧇ āĻĒāĻžāϰ⧇, āĻŽāĻžāĻĨāĻžāϝāĻŧ āϰāĻžāϖ⧁āύāĨ¤ āĻŽāύ⧋āύ⧀āϤ āϞ⧇āĻ–āĻž āĻĒā§āϰāĻ•āĻžāĻļ⧇āϰ āĻ•ā§āώ⧇āĻ¤ā§āϰ⧇ āχāĻŽā§‡āϞ⧇ āϞ⧇āĻ–āĻž āĻĒāĻžāĻ āĻžāύ⧋āϰ ‘āϏāĻŋāϰāĻŋāϝāĻŧāĻžāϞ’ āĻĒā§āϰāĻžāϧāĻžāĻ¨ā§āϝ āĻĒāĻžāĻŦ⧇āĨ¤

âœ’ī¸āϏāĻŽā§āĻĒā§‚āĻ°ā§āĻŖ āĻŽā§ŒāϞāĻŋāĻ• āĻ…āĻĒā§āϰāĻ•āĻžāĻļāĻŋāϤ āϞ⧇āĻ–āĻž āĻĒāĻžāĻ āĻžāϤ⧇ āĻšāĻŦ⧇ āχāωāύāĻŋāϕ⧋āĻĄ āĻŦāĻžāĻ‚āϞāĻžāϝāĻŧ āĻ“āϝāĻŧāĻžāĻ°ā§āĻĄ āĻĢāĻžāχāϞ⧇ āχāĻŽā§‡āϞ āĻ•āϰ⧇āĨ¤ āĻšāĻžāϤ⧇āϰ āϞ⧇āĻ–āĻž āĻĒā§‹āĻ¸ā§āĻŸā§‡ āĻŦāĻž āĻ›āĻŦāĻŋ āϤ⧁āϞ⧇ āĻĒāĻžāĻ āĻžāĻŦ⧇āύ āύāĻžāĨ¤ āϕ⧋āύāĻ“ āĻĒ⧁āϰāĻžāύ⧋ āĻ—āĻ˛ā§āĻĒ⧇āϰ āĻĒāϰāĻŋāĻŽāĻžāĻ°ā§āϜāύ āĻŦāĻž āϜāύāĻĒā§āϰāĻŋāϝāĻŧ āϏāĻŋāύ⧇āĻŽāĻž āĻŦāĻž āĻŦāĻŋāĻĻ⧇āĻļāĻŋ āĻ—āĻ˛ā§āĻĒ⧇āϰ āĻ›āĻžāϝāĻŧāĻž āĻ…āĻŦāϞāĻŽā§āĻŦāύ⧇ āϞ⧇āĻ–āĻžāĻ“ āĻĒāĻžāĻ āĻžāĻŦ⧇āύ āύāĻžāĨ¤

đŸ—’ī¸āĻļāĻŦā§āĻĻāϏāĻ‚āĻ–ā§āϝāĻžāϰ āĻšāĻŋāϏāĻžāĻŦ: āĻ—āĻ˛ā§āĻĒ āĻ•āĻŽāĻŦ⧇āĻļāĻŋ ā§Ģā§Ļā§Ļā§ĻāĨ¤ āύāϭ⧇āϞāĻž āĻ•āĻŽāĻŦ⧇āĻļāĻŋ ā§§ā§Ļā§Ļā§Ļā§ĻāĨ¤ āωāĻĒāĻ¨ā§āϝāĻžāϏ āĻ•āĻŽāĻŦ⧇āĻļāĻŋ ⧍ā§Ģā§Ļā§Ļā§Ļ āĻāĻŦāĻ‚ āĻ…āύ⧁āĻŦāĻžāĻĻ āĻ•āĻŽāĻŦ⧇āĻļāĻŋ ā§§ā§Ģā§Ļā§Ļā§Ļ āϰāĻžāĻ–āĻž āϝāĻžāĻŦ⧇āĨ¤ āϝāĻĻāĻŋāĻ“ āϞ⧇āĻ–āĻžāϰ āĻŽāĻžāύ āĻ…āύ⧁āϏāĻžāϰ⧇ āĻ•āĻŽāĻĒāĻ•ā§āώ⧇ ⧍ā§Ļā§Ļā§Ļ āĻĨ⧇āϕ⧇ ā§§,ā§Ļā§Ļ,ā§Ļā§Ļā§Ļ āĻŦāĻž āϤāĻžāϰ āĻŦ⧇āĻļāĻŋ āĻŦāĻĄāĻŧ āϞ⧇āĻ–āĻžāĻ“ āĻŽāύ⧋āύ⧀āϤ āĻšāϤ⧇ āĻĒāĻžāϰ⧇āĨ¤

âœī¸āϝ⧇ āϕ⧋āύāĻ“ āĻŦāĻŋāĻĻ⧇āĻļāĻŋ āĻ…āύ⧁āĻŦāĻžāĻĻ⧇āϰ āĻ•ā§āώ⧇āĻ¤ā§āϰ⧇ āϞ⧇āĻ–āϕ⧇āϰ āĻŽā§ƒāĻ¤ā§āϝ⧁āϏāĻžāϞ ā§§ā§¯ā§­ā§Š-āĻāϰ āφāϗ⧇ āĻšāϤ⧇ āĻšāĻŦ⧇āĨ¤ āĻŽā§‚āϞ āϞ⧇āĻ–āϕ⧇āϰ āύāĻžāĻŽ āĻāĻŦāĻ‚ āĻŽā§‚āϞ āϞ⧇āĻ–āĻžāϰ āύāĻžāĻŽ āĻ…āĻŦāĻļā§āϝāχ āωāĻ˛ā§āϞ⧇āĻ– āĻ•āϰāϤ⧇ āĻšāĻŦ⧇āĨ¤ āĻāĻ›āĻžāĻĄāĻŧāĻž āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϰāĻ•āĻŽ āύāĻŋāĻŦāĻ¨ā§āϧ, āĻĢāĻŋāϚāĻžāϰ, āĻĒāĻžāĻ āĻžāύ⧋ āϝāĻžāĻŦ⧇āĨ¤ āĻ•āĻŽāĻŦ⧇āĻļāĻŋ āĻļāĻŦā§āĻĻāϏāĻ‚āĻ–ā§āϝāĻž ⧍ā§Ļā§Ļā§Ļ āφāĻŦāĻļâ€ā§āϝāĻŋāĻ•āĨ¤

✅āϞ⧇āĻ–āĻžāϰ āĻŦāĻŋāώāϝāĻŧ āϏāĻŦ āϧāϰāύ⧇āϰ āϰāĻšāĻ¸â€ā§āϝ-āϰ⧋āĻŽāĻžāĻžā§āϚ, āĻĒāĻŋāĻ“āϰ āĻŽāĻŋāĻ¸ā§āĻŸā§āϰāĻŋ, āĻĄāĻŋāĻŸā§‡āĻ•āϟāĻŋāĻ­, āĻĨā§āϰāĻŋāϞāĻžāϰ, āĻ…āϞ⧌āĻ•āĻŋāĻ•, āĻ•āĻ˛ā§āĻĒāĻŦāĻŋāĻœā§āĻžāĻžāύ, āĻļāĻŋāĻ•āĻžāϰ, āϐāϤāĻŋāĻšāĻžāϏāĻŋāĻ•, āĻĒ⧌āϰāĻžāĻŖāĻŋāĻ•, āϖ⧇āϞāĻž āĻŦāĻž āĻ…āĻ¨ā§āϝāĻžāĻ¨ā§āϝ āϝ⧇āϕ⧋āύāĻ“ āĻ…ā§āϝāĻžāĻĄāϭ⧇āĻžā§āϚāĻžāϰ, āχāϤāĻŋāĻšāĻžāϏ, āϰāĻžāϜāύ⧀āϤāĻŋ āχāĻ¤ā§āϝāĻžāĻĻāĻŋ āϟāĻžāύ-āϟāĻžāύ āϞ⧇āĻ–āĻž āĻĒāĻžāĻ āĻžāύ⧋ āϝāĻžāĻŦ⧇āĨ¤ āĻ…āϝ⧁āĻ•ā§āϤāĻŋāĻ•āϰ āĻŦāĻžāĻŖāĻŋāĻœā§āϝāĻŋāĻ• āĻĢāĻŋāĻ˛ā§āĻŽā§‡āϰ āĻĨā§āϰāĻŋāϞāĻžāϰ, āĻĢā§āϝāĻžāĻ¨ā§āϟāĻžāϏāĻŋ, āϭ⧌āϤāĻŋāĻ• āĻ“ āϤāĻ¨ā§āĻ¤ā§āϰāĻŽāĻ¨ā§āĻ¤ā§āϰ⧇āϰ āϞ⧇āĻ–āĻž āĻĒāĻžāĻ āĻžāĻŦ⧇āύ āύāĻžāĨ¤ ‘āϏāĻžāϏāĻĒ⧇āĻ¨ā§āϏ āĻŦāĻžāĻ°ā§āώāĻŋāϕ⧀’āϤ⧇ āĻĒā§āϰāĻžāĻĒā§āϤāĻŽāύāĻ¸ā§āĻ• āϞ⧇āĻ–āĻž āύ⧇āĻ“āϝāĻŧāĻž āĻšāĻŦ⧇ āύāĻž āĻ•āĻŋāĻ¨ā§āϤ⧁ ‘āĻļāĻŋāĻšāϰāύ’-āϰ āϜāĻ¨ā§āϝ āĻĒā§āϰāĻžāĻĒā§āϤāĻŽāύāĻ¸ā§āĻ• (āĻŽā§āϝāĻžāϚ⧁āĻ“āϰ āĻ•āύāĻŸā§‡āĻ¨ā§āϟ) āϞ⧇āĻ–āĻžāχ āĻŦāĻŋāĻŦ⧇āĻšā§āϝāĨ¤ āϰāĻšāĻ¸ā§āϝ-āϰ⧋āĻŽāĻžāĻžā§āϚ āĻĄāĻŋāϜāĻŋāϟāĻžāϞ⧇āϰ āĻ•ā§āώ⧇āĻ¤ā§āϰ⧇ āĻāϕ⧇āĻŦāĻžāϰ⧇ āϛ⧋āϟāĻĻ⧇āϰ āϜāĻ¨ā§āϝ āϕ⧋āύāĻ“ āϞ⧇āĻ–āĻž āύ⧇āĻ“āϝāĻŧāĻž āϏāĻŽā§āĻ­āĻŦ āύāϝāĻŧāĨ¤

 đŸ”€āϞ⧇āĻ–āĻž āĻŽāύ⧋āύāϝāĻŧāύ⧇āϰ āϏāĻŽāϝāĻŧ, āĻ•āĻŽāĻĒāĻ•ā§āώ⧇ ⧝ āĻĨ⧇āϕ⧇ ⧧⧍ āĻŽāĻžāϏ āϞāĻžāĻ—āĻŦ⧇āĨ¤ āĻŽāύ⧋āύ⧀āϤ āĻšāϞ⧇ āϤāĻŦ⧇āχ āχāĻŽā§‡āϞ āĻĒāĻžāĻŦ⧇āύāĨ¤ āĻĒāĻžāρāϚ āϏāĻĻāĻ¸ā§āϝ⧇āϰ āϏāĻŽā§āĻĒāĻžāĻĻāĻ• āĻŽāĻŖā§āĻĄāϞ⧀āϰ (ISP) āĻŽāϤāĻžāĻŽāϤāχ āĻšā§‚āĻĄāĻŧāĻžāĻ¨ā§āϤāĨ¤ āϞ⧇āĻ–āĻžāϟāĻŋ āĻļ⧇āώ āĻĒāĻ°ā§āϝāĻ¨ā§āϤ ‘āĻļāĻŋāĻšāϰāύ’ āύāĻžāĻ•āĻŋ ‘āϏāĻžāϏāĻĒ⧇āĻ¨ā§āϏ āĻŦāĻžāĻ°ā§āώāĻŋāϕ⧀’ āύāĻžāĻ•āĻŋ ‘āϰāĻšāĻ¸ā§āϝ-āϰ⧋āĻŽāĻžāĻžā§āϚ’ āĻĄāĻŋāϜāĻŋāϟāĻžāϞ⧇ āĻĒā§āϰāĻ•āĻžāĻļāĻŋāϤ āĻšāĻŦ⧇ āϤāĻž āĻāĻ•āĻŽāĻžāĻ¤ā§āϰ āϏāĻŽā§āĻĒāĻžāĻĻāĻ• āĻŽāĻŖā§āĻĄāϞ⧀āϰ (ISP) āĻŽāĻžāĻ§ā§āϝāĻŽā§‡āχ āϏāĻŋāĻĻā§āϧāĻžāĻ¨ā§āϤ āĻšāĻŦ⧇āĨ¤ āĻŽāύ⧋āύ⧀āϤ āϞ⧇āĻ–āĻž āϕ⧋āύāĻ“ āĻ•āĻžāϰāϪ⧇āχ ‘āϤ⧁āϞ⧇ āύ⧇āĻ“āϝāĻŧāĻž’ āĻŦāĻž ‘āĻĢ⧇āϰāϤ āύ⧇āĻ“āϝāĻŧāĻž’ āϝāĻžāĻŦ⧇ āύāĻžāĨ¤ āĻāϰāĻ•āĻŽ āĻšāϞ⧇, āϏ⧇āĻ•ā§āώ⧇āĻ¤ā§āϰ⧇ āĻ­āĻŦāĻŋāĻˇā§āϝāϤ⧇ āϏ⧇āχ āϞ⧇āĻ–āϕ⧇āϰ āϞ⧇āĻ–āĻž āĻŽāύ⧋āύāϝāĻŧāύ⧇ āĻ…āĻĒāĻžāϰāĻ— āĻĨāĻžāĻ•āĻŦ āφāĻŽāϰāĻžāĨ¤

📧āϞ⧇āĻ–āĻž āĻĒāĻžāĻ āĻžāύ⧋āϰ āϏāĻŽāϝāĻŧ āϏāĻžāĻŦāĻœā§‡āĻ•ā§āϟ āϞāĻžāχāύ⧇ āϞāĻŋāϖ⧁āύ āϏāĻžāϏāĻĒ⧇āĻ¨ā§āϏ āĻŦāĻžāĻ°ā§āώāĻŋāϕ⧀ ⧍ā§Ļ⧍ā§Ģ/ āĻļāĻŋāĻšāϰāύ ⧍ā§Ļ⧍ā§Ģ/ āϰāĻšāĻ¸ā§āϝ-āϰ⧋āĻŽāĻžāĻžā§āϚ āĻĄāĻŋāϜāĻŋāϟāĻžāϞāĨ¤ āĻŽā§‡āϞāĻŦāĻĄāĻŋāϤ⧇ āϞāĻŋāϖ⧁āύ āϝ⧇ āϞ⧇āĻ–āĻžāϟāĻŋ āĻĒāĻžāĻ āĻžāĻšā§āϛ⧇āύ āϤāĻžāϰ āύāĻžāĻŽ, āĻŦāĻŋāώāϝāĻŧ āĻāĻŦāĻ‚ āφāύ⧁āĻŽāĻžāύāĻŋāĻ• āĻļāĻŦā§āĻĻāϏāĻ‚āĻ–â€ā§āϝāĻžāĨ¤ āϏāĻ™ā§āϗ⧇ āĻĒāĻžāĻ āĻžāύ āϏāĻžāĻŽā§āĻĒā§āϰāϤāĻŋāĻ• āĻ›āĻŦāĻŋ āĻ“ āϞ⧇āĻ–āĻ• āĻĒāϰāĻŋāϚāĻŋāϤāĻŋāĨ¤ āχāĻŽā§‡āϞ āĻ•āϰ⧁āύ lfbookseditorial@gmail.com āĻŽā§‡āϞ āφāχāĻĄāĻŋāϤ⧇āĨ¤ āϞ⧇āĻ–āĻž āĻĒāĻžāĻ āĻžāύ⧋āϰ āϏāĻŽāϝāĻŧāϏ⧀āĻŽāĻž ā§Šā§§ āĻĄāĻŋāϏ⧇āĻŽā§āĻŦāϰ, ⧍ā§Ļ⧍ā§ĒāĨ¤

🔑āĻŽāύ⧋āύāϝāĻŧāύ āĻĒāĻĻā§āϧāϤāĻŋāϤ⧇ āϕ⧋āύāĻ“ āĻŦâ€ā§āϝāĻžāĻ•ā§āϤāĻŋāĻ—āϤ āϏ⧁āĻĒāĻžāϰāĻŋāĻļ, āĻĢā§‹āύāĻžāϞāĻžāĻĒ, āϰāĻŋāϕ⧋āϝāĻŧ⧇āĻ¸ā§āϟ, āϞāĻŦāĻŋ, āĻĢâ€ā§āϝāĻžāύāĻĢāϞ⧋āϝāĻŧāĻžāϰ, āĻ…āĻ°ā§āĻĨāĻŦāĻŋāύāĻŋāϝāĻŧā§‹āϗ⧇āϰ āϕ⧋āύāĻ“ āϏ⧁āĻĒāĻžāϰāĻŋāĻļ āĻ—ā§āϰāĻšāĻŖ āĻ•āϰāĻž āĻšāĻŦ⧇ āύāĻžāĨ¤ āϞ⧇āĻ–āĻž āĻŽāύ⧋āύāϝāĻŧāύ⧇ āĻļ⧁āϧ⧁āĻŽāĻžāĻ¤ā§āϰ āϞ⧇āĻ–āĻžāϰ āϗ⧁āĻŖāĻ—āϤ āĻŽāĻžāύāχ āĻŦāĻŋāϚāĻžāĻ°ā§āϝāĨ¤ āϞ⧇āĻ–āĻžāϰ āĻāĻ•āĻŽāĻžāĻ¤ā§āϰ āĻŽāύ⧋āύāϝāĻŧāύ āĻšāϝāĻŧ āϏāĻŽā§āĻĒāĻžāĻĻāĻ• āĻŽāĻŖā§āĻĄāϞ⧀āϰ (ISP) āĻšāĻžāϤ⧇, āĻĒāĻ¤ā§āϰāĻŋāĻ•āĻž āϏāĻŽā§āĻĒāĻžāĻĻāϕ⧇āϰ āĻšāĻžāϤ⧇ āύāϝāĻŧāĨ¤ āϝ⧇ āϕ⧇āω āϞ⧇āĻ–āĻž āĻĒāĻžāĻ āĻžāϤ⧇ āĻĒāĻžāϰ⧇āύ, āĻŦāĻšā§ āĻĒāĻ¤ā§āϰāĻŋāĻ•āĻžāϝāĻŧ āϞ⧇āĻ–āĻžāϰ āĻ…āĻ­āĻŋāĻœā§āĻžāϤāĻž āĻĨāĻžāĻ•āϞ⧇ āĻŦāĻž āĻ…āύ⧇āĻ• āĻŦāχāϝāĻŧ⧇āϰ āĻ—ā§āϰāĻ¨ā§āĻĨāĻ•āĻžāϰ āĻšāϞ⧇ āĻŦāĻž āϏāĻŽā§āĻĒā§‚āĻ°ā§āĻŖ āύāϤ⧁āύ āϞ⧇āĻ–āĻ• āĻšāϞ⧇ āϕ⧋āύāĻ“ āĻ…āϤāĻŋāϰāĻŋāĻ•ā§āϤ āϏ⧁āĻŦāĻŋāϧāĻž āĻĒāĻžāĻŦ⧇āύ āύāĻžāĨ¤ āϞ⧇āĻ–āĻžāϰ āĻŽāĻžāύāχ āĻļ⧇āώ āĻ•āĻĨāĻžāĨ¤ āϏ⧌āϜāĻ¨ā§āϝ āĻ•āĻĒāĻŋ āĻ“ āϏāĻžāĻŽā§āĻŽāĻžāύāĻŋāĻ• āĻĒāĻ¤ā§āϰāĻŋāĻ•āĻž āĻĒā§āϰāĻ•āĻžāĻļ⧇āϰ āĻĒāϰ⧇ āϏāĻŽāϝāĻŧ āĻŽāϤ⧋ āĻĒāĻžāĻ āĻžāĻŦ āφāĻŽāϰāĻžāĨ¤ āĻ…āύ⧁āĻ—ā§āϰāĻš āĻ•āϰ⧇ āϧ⧈āĻ°ā§āϝ āϰāĻžāĻ–āĻŦ⧇āύāĨ¤ āĻĒā§āϰāϝāĻŧā§‹āϜāύ āĻšāϞ⧇ āχāĻŽā§‡āϞ āĻ•āϰāĻŦ⧇āύāĨ¤ āϧāĻ¨ā§āϝāĻŦāĻžāĻĻāĨ¤

đŸĒ„āĻāϞ_āĻāĻĢ_āĻŦ⧁āĻ•āϏ_āχāĻ¨ā§āĻĄāĻŋāϝāĻŧāĻž

āϏāĻŽā§āĻĒāĻžāĻĻāϕ⧀āϝāĻŧ āĻĻāĻĒā§āϤāϰ (ISP)

Advt 02/05/24

Saileshwar Ghosh Rachana Samagra (1)

LF Books India is a publication house of a large and heterogeneous association  receptive to a variety of topics, whether scholarly or popular without any biased perspective. Saileswar Ghosh, an anarchist poet of Hungry Generation, who has not enjoyed lavish praise and a mass of prizes during his poetical journey, created a furore jeopardizing the basic concept and structure of Bengali poetry.With other foot soldiers of Hungry Generation movement he threw himself into every thing, with his typical hungry language disapprobated by the bourgeois standardization of literature.Rightly said by Howard McCord, with regard to hungry poets (Their poems record the ugly numbing truth that most men delight in their horrors).In this most ambitious project, we like to introduce Saileswar to neo Avant-garde readers in a many of his oeuvre that reveal as much about the author and his own works as they do about his concept of poetry, contemporary literature and glorious global thoughts.The linguistic alienation, the resultant effect of imperialism, is obviously absent in Saileswar Ghosh.His poetry has explored a literal geographical displacement causing a destabilizing effect on Bengali readers of poetry.So, this is one essential book for every reader who wants a group of poets who once challenged the existing canon and dominate ideas of literature and culture.

Saileshwar Ghosh Rachana Samagra

Part 1 : Poetry

Edited by Sabyasachi Sen

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Subimal Mishra Somalochona Sangraha (Vol. 1 & Vol. 2)

Known as the only iconoclast of bengali literature, the works of Subimal Mishra have always created a jarring effect on the readers. Like a true heretic, he broke the walls of conventions of bengali literature by using the cut up method of William Burroughs in his unique way. Highly influenced by the movies of Jean-Luc Godard and Sergei Eisenstein, he kept on experimenting by using film language in his writings. In 2015, Bagher Bachcha 1 Subimal Mishra Sankhya was published in Kolkata Bookfair. In 2019, Bagher Bachcha 5: Fire Dekha Subimal Mishra Sankhya. Both of these magazines are well appreciated by the readers and were completely sold within two years of publication. But readers keep on enquiring about these two magazines. Liber fieri publishing house has taken the responsibility of selecting choicest creations of essayists and critiques published on those two magazines. Under the patronage and editing skills of Swapan Ranjan Haldar, all these works will be published  in two separate parts. These books will be much more than just a different read. It will offer a crucial ray of light that makes you a better reader and stronger appreciator of bengali literature.

Subimal Mishra Somalochona Sangraha (Vol. 1 & Vol. 2)

Edited By : Swapan Ranjan Haldar

Bharatiya Rajneetir Abhidhan

Independent India has already surpassed eventful seven decades. At the time of independence several personalities from different corners of this world expressed their concern whether India would be able to fulfil the expectation of Democracy. Over the decades India faced a lot of political turmoil. But at the end of the day, Democracy has not only won, but also  established its stronghold on the entire country. The present dictionary tries to capture all the major political events that have taken place till date in a very lucid, informative and analytical way. The book will certainly prove to be invaluable to the academicians, journalists, politicians as well as general readers who want to be acquainted with the nature and trends of our democracy.

Bharatiya Rajneetir Abhidhan

Author : Anindya Bhukta

Kamalkumar Majumder

Literature, cinema, painting, sculpture, theater; Kamalkumar Majumder had shown his prowess in each of the fields of arts. It is simply impossible to introduce Kamalkumar with a simple adjective. Throughout his life, Kamalkumar broke all the archaic conception of bengali arts and culture. He kept on experimenting and catering the readers with works of literature of a different taste. These two books peeps into the life, literature and art of Kamalkumr Majumder to help the readers get acquainted with this literary enigma. These books disects his perception towards life and literature to find out how he amalgamated the traditions with new age ideologies in his works, music, folk art and culture as well as a teacher and social worker.


Kamal kumar Mazumder : Jeeban O Sahitya 1st Part Coming Soon


Author : Hiranmoy Gangopadhyay

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